FREE Download : Digital Film Tools: Composite Suite Pro 1.0.1.1 f...
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Digital Film Tools: Composite Suite Pro 1.0.1.1 for After Effects CC | 45 MB
Digieffects Delirium v2.5.1 for CC – Win64. Digieffects Delirium v2.5.1 for CC – Win64 Read more. For full details, please visit www.digieffects.com. Delirium v2.5 The Award Winning Plug-in Collection. A delightful cornucopia of visual effects. 41 effects allowing you to create almost any look no matter how absurd! Also includes all 9 effects from the infamous DAMAGE suite (a $99 value)! Includes nearly 200 presets. Reprinted from a Digieffects press release: Wilmington, NC November 12, 2007 Digieffects, a developer of popular software plug-ins for Adobe After Effects, Premiere Pro, Apple Final Cut Pro, and Autodesk Combustion today announced that Universal Binary versions of Delirium, Berserk, and Aurorix are now available for Intel-based Macintosh computers.
Digital Film Tools: Composite Suite Pro features a well rounded collection of visual effects plug-ins that were previously only available in-house at a Hollywood based feature film effects facility. Digieffects Delirium 2.5.1 Plugin for Adobe After Effects CC (WiN64) 20.6 MB Digieffects Delirium v2 Special Effects Plug-ins Package provides you with a complete visual effects and motion graphics package, allowing you to create a wide variety of animated imagery with minimum setup time required.
Tested in the rigors of everyday production, Composite Suite Pro provides all that is needed to combine multiple images by utilizing compositing tricks and techniques, color correction, blur, grain, matte manipulation, lens distortion, lighting effects and edge blending. Eradicate the most common effects problems or employ specialized compositing tools for combining imagery such as fire, smoke and explosions. Cutout or isolate objects using a proprietary matte generator or pick from a variety of color correctors and natural lighting effects to spice up your images.
Composite Suite Pro includes the following plug-ins: Blur, Blur Depth, Camera Flash, Color Correct, Colorize, Colorize Gradient, Color Paste, Composite, DeArtifact, DeFocus, DeFog, Distortion, Drop Shadow, DVE, Edge Composite, Film Masks, Frame Averager, F-Stop, Gobo, Grain, Glow Edges, Glow Effects, HDTV Masks, Holdout Composite, Light, Light Wrap, Math Composite, Matte Generator, Matte Repair, Non-Additive Mix, Optical Dissolve, Ozone, Printer Points, Selective Color Correct, Temperature and Title Blur.
Blur - Can you guess what this one does? That's right, it blurs the image with individual horizontal and vertical controls. It's fast, high quality and blurs outside the frame which removes the dark inward bleeding edges of most blurs. Horizontal, vertical or both, Blur uses either Gaussian or Box quality settings.
Blur Depth - Selective blur can be added to a scene by isolating and blurring only a portion of the image. The amount of blurring is directly proportionate to the luminance of the matte settings, a gradient or an input image.
Camera Flash - Camera Flash simulates the overexposure that occurs when a film camera is stopped.
Colorize - Colorizes the entire image with a selected color using a variety of colorization modes.
Color Correctors - Composite Suite Pro includes a number of different color correctors that are handy for adjusting an image's color. They include: Color Correct, F-Stop, Printer Points, Telecine and Temperature. Manipulation of a variety of different color values of the overall image and separately in user definable shadow, midtone and highlight areas is possible.
Colorize Gradient - Using multiple colors, Colorize Gradient colorizes the image according to the image's brightness values.
Color Paste - Color Paste takes the luminance values of the foreground image and pastes it as a color over the background.
Composite - Composite layers a foreground over a background using a matte with the ability to add drop shadows. To create realistic composites, DVE, Color Correct, Blur and Grain controls are provided. Composite also lets you manipulate the matte using grow, shrink and blur tools. Another crucial feature in creating seamless effects, Composite's edge blending allows for color correction, blurring and controlling the opacity of the foreground images' edge.
Deartifact - Deartifact is handy for cleaning up artifacts caused by DV and HD video footage. In fact, it is useful for cleaning up images that have aliased or jaggy edges.
DeFocus - DeFocus replicates a true camera defocus by introducing lens Bokeh effects. Bokeh is the Japanese term that describes the quality of out-of-focus points of light. In defocused areas, each point of light becomes a shape--either a circle or a polygon. The shape grows in size as the amount of defocusing is increased.
DeFog - Using advanced deweathering algorithms, DeFog restores clear day contrasts and colors of a scene taken in bad weather such as fog and mist. It is also successful in removing the effects of optical Fog and Diffusion filters.
Distortion - Distortion corrects for pin-cushioning and barrel distortion of camera lenses. It is also useful for creating the look of a wide angle lens.
Drop Shadow - Drop shadows can be added to an image that has an alpha channel. The opacity color, blur and transformation of the drop shadow can all be adjusted.
DVE - DVE allows you to transform your image using Position, Scale, Rotation, Corner Pin, Shear and Crop controls.
Edge Composite - Edge Composite automatically generates an edge matte from an existing alpha channel and allows you to color correct or blur only the edge of the foreground. You can also mix the edge of the foreground with the background. This is very helpful for seamlessly integrating images as well as dealing with aliased mattes.
Film Masks - Film Masks aid you in determining what will be projected on film by adding reticles and or a variable opacity mask to the image. The following aspect ratio's are supported: 2:40 Common Center, 2:40 Common Top, 1:85, 1:78, 1:75, 1:66, 1:37, 1:33 and the TV Transmitted Area, Safe Action and Safe Title for NTSC video.
HDTV Masks - If your HD images are destined to end up on film, the HDTV Masks plug-in aids you in determining the portion of the HDTV frame that will be projected on film by adding reticles and or a variable opacity mask to the image. The following aspect ratio's are supported: 1:85 and the TV Transmitted Area, Safe Action and Safe Title for NTSC video.
Frame Averager - The Frame Averager mixes frames together to create interesting motion effects. This plug-in is also useful for smoothing out film grain and video noise which can cause problems when pulling a key or generating a matte.
Glow Edges - Glow Edges isolates lines and edges in an image and then adds glow only to these areas resulting in a stylized look.
Glow Effects - Glow Effects creates diffusion or glows around selected areas of the image.
Grain - Grain simulates film grain with individual control of red, green, and blue size, intensity and softness. In addition, a Film Response parameter controls where you will see grain in the image. Popular film stock presets are provided as a starting point to adding grain.
Holdout Composite - To add practical fire, explosions, smoke or other footage not containing an alpha channel is normally a challenge. A normal Math Composite ADD function would cause areas of the background to get brighter. This is bad. Using a key of some type would most likely generate unwanted, dark edges. This is also bad. The Holdout Composite is a two-layer effect that effectively composites images such as fire, explosions and smoke.
Light / Gobo - Light can be added to a scene where none existed before just as if you were adding light at the time of shooting. Realistic lighting and shadow is introduced using digital versions of the entire gobo libraries created by Gamproducts for the Light filter and Rosco for the Gobo filter. Patterns, or gobos, are widely used by designers in theatre, film, photography and television to create atmosphere, project scenery, and generally enhance the visual impact of their lighting. Normally used in front of lights during photography, these same exact patterns can be applied digitally to the entire image or inside a matte.
Light Wrap - Light Wrap helps blend the foreground into the background by making the color of the background 'wrap' into the foreground edges without softening the edge.
Math Composite - Math Composite combines two clips using one of the Blend modes. You can choose from Add, Subtract, Multiply, Screen, Difference, Darken and Lighten.
Matte Generator - The Matte Generator extracts and creates mattes using advanced matte extraction techniques. Methods of matte extraction are luminance, hue, saturation, average, red, green, blue, cyan, magenta, and yellow. Up to 5 mattes can be extracted and combined using Blend modes.
Matte Repair - Matte Repair grows, shrinks or blurs a matte. It also is handy for cleaning up impurities in the black or white areas of the matte.
Non-Additive Mix - Known as a NAM, the non-additive mix combines two pictures by controlling their luminance level relative to each other as well as a set mix percentage. This popular video switcher effect has been included to satisfy those die-hard online video editors.
Optical Dissolve - Optical Dissolve uses a power function to simulate an optical film dissolve. You see the bright areas of the B side of the dissolve sooner than the darker areas.
Ozone - Ozone is a unique plug-in that allows you to manipulate the color of an image with incredible flexibility and accuracy. Inspired by Ansel Adams' Zone System for still photography, we have created 'The Digital Zone System'. Just what is the Digital Zone System? The world around us contains an infinite palette of colors, tones and brightness. To reproduce this vast range of brightness, the Digital Zone System takes the spectrum of image values and divides them into 11 discrete zones using proprietary image slicing algorithms. Each zone is twice as bright as the previous zone, proceeding from black towards white. With Ozone, the color, brightness, contrast and gamma of each zone can be independently adjusted until you've painted a new picture. Your adjustments occur on a zone by zone basis, but you view the result of all color corrections simultaneously.
Selective Color Correct - Relying on special matte extraction techniques, isolation of specific parts of the image is quick and easy. Once isolated, the image can be color corrected within these isolated areas with Hue, Saturation, Brightness, Gamma, Contrast, Red, Green, and Blue controls.
Title Blur - This Avid only plug-in blurs your titles with individual horizontal and vertical controls and composites the result over the track below. It's fast and high quality.
Requirements
- Win64
- Adobe After Effects CC
Composite Suite Pro includes the following plug-ins: Blur, Blur Depth, Camera Flash, Color Correct, Colorize, Colorize Gradient, Color Paste, Composite, DeArtifact, DeFocus, DeFog, Distortion, Drop Shadow, DVE, Edge Composite, Film Masks, Frame Averager, F-Stop, Gobo, Grain, Glow Edges, Glow Effects, HDTV Masks, Holdout Composite, Light, Light Wrap, Math Composite, Matte Generator, Matte Repair, Non-Additive Mix, Optical Dissolve, Ozone, Printer Points, Selective Color Correct, Temperature and Title Blur.
Blur - Can you guess what this one does? That's right, it blurs the image with individual horizontal and vertical controls. It's fast, high quality and blurs outside the frame which removes the dark inward bleeding edges of most blurs. Horizontal, vertical or both, Blur uses either Gaussian or Box quality settings.
Blur Depth - Selective blur can be added to a scene by isolating and blurring only a portion of the image. The amount of blurring is directly proportionate to the luminance of the matte settings, a gradient or an input image.
Camera Flash - Camera Flash simulates the overexposure that occurs when a film camera is stopped.
Colorize - Colorizes the entire image with a selected color using a variety of colorization modes.
Color Correctors - Composite Suite Pro includes a number of different color correctors that are handy for adjusting an image's color. They include: Color Correct, F-Stop, Printer Points, Telecine and Temperature. Manipulation of a variety of different color values of the overall image and separately in user definable shadow, midtone and highlight areas is possible.
Colorize Gradient - Using multiple colors, Colorize Gradient colorizes the image according to the image's brightness values.
Color Paste - Color Paste takes the luminance values of the foreground image and pastes it as a color over the background.
Composite - Composite layers a foreground over a background using a matte with the ability to add drop shadows. To create realistic composites, DVE, Color Correct, Blur and Grain controls are provided. Composite also lets you manipulate the matte using grow, shrink and blur tools. Another crucial feature in creating seamless effects, Composite's edge blending allows for color correction, blurring and controlling the opacity of the foreground images' edge.
Deartifact - Deartifact is handy for cleaning up artifacts caused by DV and HD video footage. In fact, it is useful for cleaning up images that have aliased or jaggy edges.
DeFocus - DeFocus replicates a true camera defocus by introducing lens Bokeh effects. Bokeh is the Japanese term that describes the quality of out-of-focus points of light. In defocused areas, each point of light becomes a shape--either a circle or a polygon. The shape grows in size as the amount of defocusing is increased.
DeFog - Using advanced deweathering algorithms, DeFog restores clear day contrasts and colors of a scene taken in bad weather such as fog and mist. It is also successful in removing the effects of optical Fog and Diffusion filters.
Distortion - Distortion corrects for pin-cushioning and barrel distortion of camera lenses. It is also useful for creating the look of a wide angle lens.
Drop Shadow - Drop shadows can be added to an image that has an alpha channel. The opacity color, blur and transformation of the drop shadow can all be adjusted.
DVE - DVE allows you to transform your image using Position, Scale, Rotation, Corner Pin, Shear and Crop controls.
Edge Composite - Edge Composite automatically generates an edge matte from an existing alpha channel and allows you to color correct or blur only the edge of the foreground. You can also mix the edge of the foreground with the background. This is very helpful for seamlessly integrating images as well as dealing with aliased mattes.
Film Masks - Film Masks aid you in determining what will be projected on film by adding reticles and or a variable opacity mask to the image. The following aspect ratio's are supported: 2:40 Common Center, 2:40 Common Top, 1:85, 1:78, 1:75, 1:66, 1:37, 1:33 and the TV Transmitted Area, Safe Action and Safe Title for NTSC video.
HDTV Masks - If your HD images are destined to end up on film, the HDTV Masks plug-in aids you in determining the portion of the HDTV frame that will be projected on film by adding reticles and or a variable opacity mask to the image. The following aspect ratio's are supported: 1:85 and the TV Transmitted Area, Safe Action and Safe Title for NTSC video.
Frame Averager - The Frame Averager mixes frames together to create interesting motion effects. This plug-in is also useful for smoothing out film grain and video noise which can cause problems when pulling a key or generating a matte.
Glow Edges - Glow Edges isolates lines and edges in an image and then adds glow only to these areas resulting in a stylized look.
Glow Effects - Glow Effects creates diffusion or glows around selected areas of the image.
Grain - Grain simulates film grain with individual control of red, green, and blue size, intensity and softness. In addition, a Film Response parameter controls where you will see grain in the image. Popular film stock presets are provided as a starting point to adding grain.
Holdout Composite - To add practical fire, explosions, smoke or other footage not containing an alpha channel is normally a challenge. A normal Math Composite ADD function would cause areas of the background to get brighter. This is bad. Using a key of some type would most likely generate unwanted, dark edges. This is also bad. The Holdout Composite is a two-layer effect that effectively composites images such as fire, explosions and smoke.
Light / Gobo - Light can be added to a scene where none existed before just as if you were adding light at the time of shooting. Realistic lighting and shadow is introduced using digital versions of the entire gobo libraries created by Gamproducts for the Light filter and Rosco for the Gobo filter. Patterns, or gobos, are widely used by designers in theatre, film, photography and television to create atmosphere, project scenery, and generally enhance the visual impact of their lighting. Normally used in front of lights during photography, these same exact patterns can be applied digitally to the entire image or inside a matte.
Light Wrap - Light Wrap helps blend the foreground into the background by making the color of the background 'wrap' into the foreground edges without softening the edge.
Math Composite - Math Composite combines two clips using one of the Blend modes. You can choose from Add, Subtract, Multiply, Screen, Difference, Darken and Lighten.
Matte Generator - The Matte Generator extracts and creates mattes using advanced matte extraction techniques. Methods of matte extraction are luminance, hue, saturation, average, red, green, blue, cyan, magenta, and yellow. Up to 5 mattes can be extracted and combined using Blend modes.
Matte Repair - Matte Repair grows, shrinks or blurs a matte. It also is handy for cleaning up impurities in the black or white areas of the matte.
Non-Additive Mix - Known as a NAM, the non-additive mix combines two pictures by controlling their luminance level relative to each other as well as a set mix percentage. This popular video switcher effect has been included to satisfy those die-hard online video editors.
Optical Dissolve - Optical Dissolve uses a power function to simulate an optical film dissolve. You see the bright areas of the B side of the dissolve sooner than the darker areas.
Ozone - Ozone is a unique plug-in that allows you to manipulate the color of an image with incredible flexibility and accuracy. Inspired by Ansel Adams' Zone System for still photography, we have created 'The Digital Zone System'. Just what is the Digital Zone System? The world around us contains an infinite palette of colors, tones and brightness. To reproduce this vast range of brightness, the Digital Zone System takes the spectrum of image values and divides them into 11 discrete zones using proprietary image slicing algorithms. Each zone is twice as bright as the previous zone, proceeding from black towards white. With Ozone, the color, brightness, contrast and gamma of each zone can be independently adjusted until you've painted a new picture. Your adjustments occur on a zone by zone basis, but you view the result of all color corrections simultaneously.
Selective Color Correct - Relying on special matte extraction techniques, isolation of specific parts of the image is quick and easy. Once isolated, the image can be color corrected within these isolated areas with Hue, Saturation, Brightness, Gamma, Contrast, Red, Green, and Blue controls.
Title Blur - This Avid only plug-in blurs your titles with individual horizontal and vertical controls and composites the result over the track below. It's fast and high quality.
Requirements
- Win64
- Adobe After Effects CC
Editing | How To's
Digieffects: Making Damage & Delirium a Good Thing
Written by Peter Bohush | Posted by: NewEnglandFilm.com
People think it’s always sunny and warm here in Los Angeles, but I like to point out that we have four distinct seasons: fire, mudslides, riots and earthquakes. If one needed to represent L.A.’s seasons in a movie, Digieffects would be a go-to tool to get the job done.
The DigiSuite from Digieffects is comprised of three software products: Delirium, Damage and Buena Depth Cue, all now in version 2.5. These distinct plug-in applications give editors and visual effects artists a wide array of effects from fire, smoke, rain, fog, distortion and channel mapping to grain, scratches and jitter, and finally real-looking lighting and rack focus.
Delirium 2.5
Delirium is a set of 44 effects in five categories: Phenomena, Color, Distort, Mood and Composite. Many of the effects are either particle-based creations, such as rain and snow, or lighting effects such as glows and blooms. Together they offer a rich set of tools for many types of effects.
The Phenomena category is perhaps the flashiest of the set. The plug-ins allow for the creation of many natural effects, including bubbles, electrical arcs, fairy dust, fire, fireworks, fog, muzzle flash, rain, smoke, snow and sparks.
The glow and night bloom effects can not only add vibrancy and a pleasant diffusion to video footage, but can also add punch to title and graphics effects such as logos and stingers.
Damage 2.5
Digieffects Delirium
A lot of cinematographers go to great effort to make their footage look good — free of shakes and jitters, debris on the lens or electronic malfunctions. Damage 2.5 takes that pristine footage and throws it under the bus, drags it down the road and smashes it to bits. On purpose!
For some vfx projects, such as commercials and logos, there is a lot of artistic freedom to play with the images. Damage 2.5 adds effects to footage such as aged film, shake and jitter, overexposure, signal interference and even busting up the image into pixels and blotches.
Damage can make digital footage look like Super 8mm film, old video or other vintage stocks. It can simulate the vertical rolls and squiggly lines that were common on TV sets in the rabbit-ear-antenna days.
Many visual effects have camera “shake” added to them to sell the realism and hide the effect a bit. Just about every action movie or TV series “shakes” the image during explosions, lightning hits, crashes, etc., to add some believability to the shot. Damage 2.5 offers quick control over the rotation, shake, blur and color separation in its destabilizing effect.
Digieffects also offers an interesting tutorial on creating a hologram effect using Damage. Although this effect has been in the Damage plug-in for a few years, there are still an endless number of adjustments that vfx artists can use to apply this effect in new and creative ways.
Buena Depth Cue 2.5
Digieffects Delirium
Buena Depth Cue adds near-3D effects to two-dimensional footage. Applying its effects to interim layers of the footage in After Effects, Buena Depth can add simulated depth to images, for example giving that shallow depth of field effect so popular with today’s DSLR moviemakers.
Buena Depth also offers a lighting effect that considers how the brightness of natural light sources weakens over distance from the source. This attribute of light is called falloff, and the falloff of the simulated lights of Buena Depth Cue can be adjusted so that the objects nearer the light are brighter than those farther away, and the shadows remain dark.
The Camera Mapper feature allows the vfx artist to simulate movement in 3D space using only a 2D, or flat, image. By carefully converting a still image or locked-off video shot into smaller pieces, the artist can position and manipulate these pieces in After Effects’ 3D space.
Camera Mapper provides an easy way to then add a realistic camera “move” to the composition, resulting in what looks like a dolly shot from what was only a still image or stationary video. The effect looks believable because the 3D space gives the illusion of parallax — the effect our eyes see whereby moving objects move at different speeds depending on their distance from our eyes. (Look out a moving car window and you’ll notice that the nearby object blur by quickly while the distant mountains barely move at all.)
Finally, Buena Depth Cue offers the flipside effect. It seamlessly mates two images, either stills or video, so that one appears to be the backside of the other. Think of two sides of a coin or a book’s front and back covers.
Flipside allows the artist to essentially twirl, rotate or flip an image and its applied reverse image sticks with it. This is hard to do manually in After Effects, but a snap with Buena Depth Cue.
No Limits
With such a rich set of effects, plus more than 100 available presets to download for free, the DigiSuite of Damage, Delirium and Buena Depth Cue offer a nearly limitless set of effects for any editor or visual effects artists.
Digieffects provides a number of tutorials for users getting started with the products, or looking for some creative inspiration. The tutorials are well done, simple and straightforward.
I followed one of the tutorials and applied it to some footage I’m editing from my feature film Broken Spirits. The footage was shot on a DSLR and needed a boost to integrate into the other footage shot with a Red MX camera.
I was very pleased with the results quickly obtained using the Delirium grayscaler effect to give the footage a High Dynamic Range (HDR) look. It’s been shown over the years that it’s very easy to make your digital footage look worse, but it’s not so easy to make it look better. Delirium definitely improved the look.
Buena Depth Cue also gives digital a more pleasing, high-end look. Grading the look of digital video can be a tedious process with any software, as it involves many steps of small adjustments, but the end results are usually worth the effort.
Digieffects Delirium Mac
In their base presets, some of the effects, especially the Delirium particle effects such as the sparks, electrical arcs, fire and explosions, tended to look a bit blown out and video-like. They reminded me of the effects seen in videotaped TV shows like Mighty Morphin Power Rangers or early MTV music videos. This can be the look you want. If you’re looking for more-realistic effects like in Transformers, you may need to spend some time adjusting the gamma and curves to tweak the Delirium effects to blend into your footage.
Particle effects are notoriously processor hungry, but Digieffects’ plug-ins ran with efficiency and ease on my Mac Pro system.
Delirium 2.5 and Damage 2.5 are available as plug-ins for Adobe After Effects and Premiere Pro, Apple Final Cut Pro and Grass Valley Edius. Buena Depth Cue 2.5 works only in Adobe After Effects.
Delirium, Damage and Buena Depth cue are available as digital downloads from Digieffects at www.digieffects.com.
Delirium, Damage and Buena Depth cue are available as digital downloads from Digieffects at www.digieffects.com. Digieffects Delirium V2
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